Sunday, 28 October 2018

040 The Enemy of the World

Started 28 Oct

This is hokum. Glorious hokum. It is set in the future... well, specifically, about right now. And it is completely specious.

But that is beside the point of the story. It is an obvious attempt to get away from the 'monster of the week' concept and as such should be lauded.

This is a vehicle to show Patrick Troughton's range: as the Doctor, the dictator, and each of those characters pretending to be the other.

And he does not miss....

The budget is low... witness the destruction of the volcanoes in Hungary in ep2 (seen out the palace window on stock footage).

The narrative is outrageous... Rocket travel across the world in 2 hours and 200km road trips in 15 minutes... oh yeah!

The fashion victims are plentiful... nearly everyone... Jamie's rubber, Astrid's leather suit, Salamander's bullfighter costume, Benik's collar, the guards' stupid white helmets.

The acting is variable.... Helloo, Colin Douglas! And those wet under the earth people: Adam Verney as Colin, Margaret Hickey as Mary and Christopher Burgess as Swann in ep5...

The direction is occasionally a bit flat.... some of the episode endings aren't great and the budget doesn't permit... there's a few scenes which are "Look at that fleet of ships out the window (everyone reacts)" then don't even cut to stock footage....

But the pace is good and the story seems original. (No bases under siege here!) Griffin is a riot (completely side plot but worth it.).

Ep6 is a bit of a mess. It's only 21m46s running time and there's obviously some editing that has occurred between the scene of chaos under the Kanowa base (Kent has confronted Salamander, Astrid and Bruce are about to rescue the trapped under the earth people while the Doctor is still wearing his Salamander disguise) and cut to the next scene with staggering Salamander at night on the beach (200 miles away?) stumbles into the TARDIS.

Early in this serial 1968 arrived.... and Innes Lloyd departed as Producer. He was a revolutionary and effective producer. He saw off the historicals, saw in the idea of 'regeneration' and seemed to rescue the show from ratings decline.

The producer's role is very important to the state of the show. Clearly the show benefits or suffers according to the producer's effectiveness.

And Sydney Newman left the BBC around this time. In later life he was quoted as not caring too much about DW. He didn't look too happy with his life at that point.....


ABM Rating 3.00/4.00 
LJM Rating 3.50/5.00
SPJ Rating 7.00/10.00

No. 12 (out of 40)

Link to Cumulative Rankings

Rankings Scoreboard

Saturday, 20 October 2018

039 The Ice Warriors

Started 20-Oct

We watched the vidfired dvd version with animated eps 2 and 3.

This is the start of a run of 18 (!) eps in a row which all have moving pictures. The long dark night of the telesnap is drawing to a close...

The technobabble in this one is ridiculous.

I have a great deal of trouble with the Doctor's scripted lines in ep1 where he expounds on the reasons for the ice sheet advance.

He makes a very correct statement about the level of carbon dioxide in the lower atmosphere determining the retained heat at the surface of the Earth. Svarte Arrhennius published this about 1890. Even climate deniers can't argue with this idea. It's like water running downhill. It's true.
https://en.wikipedia.org/wiki/Svante_Arrhenius#Greenhouse_effect

But the next bit about lack of plant life leading to carbon dioxide starvation (and consequent failure to retain heat) is f$%#ing bonkers.

Complex ionisation technicko-flibbly wops are not even needed.

Just oxidise a load of carbon you mad retards!!!

Or to put it another way, set fire to some stuff.

Or use microbe vats to rot loads of vegetable matter and create great bubbles of methane... do you have any garbage? Bin it, warm it up a little (or just bury it in the sun) and let the bugs get to work....

Also the ice sheets are advancing, there's no populace present (they must be evacuated already) and all that's in the way is a crappy old mansion (which no one seems to care about). What (apart from the burial of old buidings) is under threat? What's the crisis again?

Clent's worldwide crisis is artificial, spurious, contrived and completely unnecessary.
The story falls apart like a climate denialist's webpage on this problem... in episode one!!!.


Who wrote this? Brian Hayles... I might have known. Mr Celestial Toymaker and The Smugglers... Currently last and second last place on our survey.

So what else have we got?
The Tardis team are decidely more light hearted and light weight in this story compared to the last one. It seems odd but I suppose that wild veering contrast is normal for DW (due to change of writers every story). Again not a thing I'd noticed so obviously before this current marathon watch-in-order project.

The Ice Warriors are weirdly simplistic monsters. Their characters are supposed to honourable but to me they simply come across as primitive warrior types but from outer space with ray guns. Contrast this with, say, Teripleptils: aggressive and violent but at least trying to claim beauty, culture and sophisticaion or victims-of-injustice-hood. It is very telling. These 60's Ice Warriors are presented like dumb Indians from a (rascist) Western.

Peter Barkworth as Clent is trying to push all the sliders to maximum on the testy, grumpy, man-in-charge meters. Is this to mask all the now cliched "man in charge of the base" tropes that are obviously present? Compared to the pressured Cutler or the incompetent Hobson he at least manages to cope with his problems eventually. But he's a right sh*t about it... *all*the*time*.
I'm left wondering why more of his staff don't side with Penley.

The plot is pure base under siege, admittedly from dual threats (the advancing ice sheet and the aggressive Ice Warriors). The themes are either the rejection of advanced technology or the importance of individualism. Neither is fully served by the story.

So that's three more things which are wrong, boring, aggravating or all three about this story.

The costumes are very spacey... The patterns are original and asymmetric. The collars are unusual. The technicians' 'glasses' which look like a plastic shelf from the fridge stuck on their head are way out (man). The set design is trying hard for the odd but familiar by contrasting the techo stuff with the classical sculptures (boobies!) and the Rococo wall panels of the old mansion house.The techo stuff looks old fashioned analogue to me (maybe cause I recognise the equipment, I think. It must look like a loads of buttons to most people).

The episode 4 end is really poor. Apart from the plot and the acting the threat is nuts. The Doctor walks into the Ice Warrior spaceship bured in the ice and Varga threatens him with reducing the air pressure to zero since it's an 'airlock'. How? With a pump? How fast? In half an hour? An as for the Doctor's line "But I'll explode..." Well, mate, luckily you'll get the bends before that happens.

Also the Ice Warriors spend most of the next two episodes worried that the Brittanicus Ioniser is gonna melt the glacier and 'flood' their spaceship... their airtight spaceship that can withstand both glacial ice pressures and the vacuum of deep space without fracturing.... and then what... free the spacecraft to fly away? Why aren't the Ice Warriors using their 'tactics' to make the Ioniser guys do this for 'em (as either a favour or a lucky mistake)? The conflict doesn't make sense.

There is some really bad science in this Science Fiction serial but there's some really bad plotting as well. There's all sorts of terrible decision making and process control errors made by the 'scientists' of Brittanicus base in most episodes. It makes The Moonbase look ok.

The very silly, old fashioned, smartalec attitude everyone has to computers is something of an issue. It sounds like a relic of the 60's that only pensioners and morons express these days.

The writing seems to have a quite naive view of exactly what a computer does or is for. In the 60's I imagine that computers were mostly pretty mysterious to most people. There's a weird scene in ep5 where during some new crisis Clent runs around reading dials and jotting figures on a clipboard before deciding whether to 'accept' the computer's 'decision'. The 'decision' is more sensibly called a result and it depends on what it was programmed to do, buddy. And I don't understand why the system isn't designed to monitor data values on those dials. (The numbers on the clipboard thing should be completely unnecesary.)
Clearly the crisis is not a physical problem with ice sheets or evacuations but one of a fundamental inability to understand science, physics, computer engineering and apply basic crisis management.


Perhaps this is an attempt to portray the ionisation base staff as being meekly technologically dependent on their computers ? Something like Internet Addiction Disorder? Unlike the brave, independently minded (and vaguely educated) Penley? Or am I reading a 2018 social problem into basic 60's technofear?

https://en.wikipedia.org/wiki/Internet_addiction_disorder

Obviously computers are not gods or oracles. They are tools. The very same Doctor makes this point most eloquently in The Invasion (next series). Unbelievably the attitude to computers presented in the Ice Warriors is actually less sophisticated than in The War Machines (which was technologically primitive).... just let that sink in..

Not my favourite episode...



ABM Rating 1.99/4.00 
LJM Rating 1.25/5.00
SPJ Rating 4.30/10.00

No. 32 (out of 39)

Link to Cumulative Rankings


Rankings Scoreboard

Wednesday, 10 October 2018

038 The Abominable Snowmen

Started 10-Oct

This is notable for its stark lack of incidental music.

And it works so well.

We're transported to a quiet and lonely desolate high mountain top. There's no traffic, no work, no industry. You're just your lonely self against the bare and savage landscape but close your eyes and you realise that you're up against your own thoughts, attitudes and feelings just as much.

Politically this is probably a little prescient for late 1967. The rise of transcendental meditation and eastern philosophy in western pop culture was topical at the time. Think of Maharishi Mahesh Yogi and The Beatles https://en.wikipedia.org/wiki/Maharishi_Mahesh_Yogi#Association_with_the_Beatles

The Abominable Snowmen/The Yeti/Great Intelligence is, at core, a what-if horror story about this idea gone way too many steps too far. That makes a thoughtful (sort of) sci-fi story.


A silly criticism that is often trotted out is the Yeti look too big and 'cuddly'. I'd say fierce, imposing, menacing is a better choice of description. Framed by the large boulders and steep mountain-sides their size makes them stand out. Inside the Monastery they just look huge. There's one melee scene late in ep 2 which is notable for its jostling camera shots but I imagine the little monks with sticks versus the great big Yeti is a good image on screen.


There is a probable 'yellowface' issue with this show. If it were remade in 2018 there is no way you would cast white blokes as Tibetan monks. There's also a distinct lack of female roles.

But that point may be unfair to the show given this was made 51 years ago.


Padmasambhava's creepy disembodied voice appears in ep2. It is a wowee moment. Realistically this story is 2 eps too long. The show loses focus in ep4 and 5.

Luckily ep6 is exciting. The Doctor might be said to be too willing to sacrifice Padmasambhava's life since he is almost a sympathetic villain/victim of the Great Intelligence but suitable options did not appear at the time.


This is a(nother) landmark DW serial and archetypal for Patrick Troughton. (His costume in this is the one that appears in the The Five Doctors.) The direction in this by Gerald Blake is very thoughtful and some effort has gone into telling a visual story. Consequently it suffers greatly from missing episodes which effectively suppresses many of the story's finest moments.


Meditative Sidebar about 6 parters

"om mane 6 parter om"

The Abominable Snowmen is the first in the longest consecutive run of 6 parters in DW history.

The 6 parter is both odd and seemingly ubiqitous. Either derided for being too long/boring/padded (Dinosaur Invasion/Sensorites?) or 'two stories welded together' (Invasion of Time/Seeds of Doom anyone?) or lauded for being involved and deep and considered (Planet of the Spiders/Genesis of the Daleks?)

10 out of Troughton's 21 serials are 6 parters. So are 11 out of Pertwee's 24. Just 6 of Hartnell's 29 serials and only 5 of Tom's 41.

They died out in the late 70's.

The longest run of serials without one is 13 (Time Meddler to the Tenth Planet) or maybe 55 (Destiny of the Daleks to Survival... or maybe now?)

The last one is either Armageddon Factor, Shada or maybe Two Doctors (but that argument requires some stretching of facts.. I'll ignore it.) Possibly there hasn't been a new 6 parter since 1979? (Nearly 40 years!)

So this is an imprecise and ragged analysis.



ABM Rating 3.50/4.00 
LJM Rating 3.75/5.00
SPJ Rating 7.20/10.00

No. 7 (out of 38)

Link to Cumulative Rankings


Rankings Scoreboard

Monday, 8 October 2018

037 The Tomb of the Cybermen


Started 8-Oct

We watched the restored 2010  vidfired DVD version.


Ratings weren't great but they usually weren't for first serials broadcast in September.

This one is very well known since its miraculous recovery in 1991/92.

The very cool use of opening music over the closing credits marks this as fresh and revolutionary. This is a new high in production values.

New no.1.

But there's competition ahead. (This is going to be so good.)


ABM Rating 3.79/4.00 
LJM Rating 4.80/5.00
SPJ Rating 8.50/10.00

No. 1 (out of 37)

Link to Cumulative Rankings


Rankings Scoreboard

Sunday, 7 October 2018

Progress Report End of Series 4

Series 4 is done.



169 eps down including 72 missing ones (13 animated)

Just 84 eps till colour starts with 25 missing episodes and 5 of those are animated. Only one story with no eps at all.

It's starting to look easy. 
  • Abominables - 5 missing eps
  • Ice Warriors - 2 missing eps (both animated)
  • Web of Fear - 1 missing ep (web animation available)
  • Fury From the Deep - all 6 missing eps
  • Wheel - 4 missing eps
  • Invasion - 2 missings eps (both animated)
  • Space Pirates - 5 missing eps